My name is Kathy and I have an analog soul

Olympus XA

Upcoming Events!

Just an FYI about some events coming up where I will be showing my work.

Saturday, April 30, 2011, 10am-7pm    Life is Art Fest in Boca Raton, Florida

Friday, May 6, 2011, 6-9pm     East Village Uncorked in Pompano Beach, Florida

Come on by, see my work in person and say “Hi!”  All the work I sell at events is hand signed by me on the spot and I can even personalize gifts with the name of whomever you are giving it to 😉

Analog Soul Photography Booth at Riverwalk Blues Festival

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Better in Black and White

Recently I have been going back through my photographic archives. I have brought up images that I thought were okay and converted them to black and white and I loved them.  I was amazed that this simple conversion could make me go from “like” to “love” with a simple Ctrl/Alt/Shift/B stroke.

"Rue Bourbon" shot with Pentax ZX-5

It started with my aforementioned images from New Orleans and more recently some that I had taken with my pseudo Rollei Pearl River twin lens reflex camera.  I had some shots from our Fisheating Creek, Florida camping trip and some others from that camera.

"Emerging" shot with Pearl River TLR

And just the other day, I picked up a roll of film from the processors that I shot in my Olympus XA (c-41 that I don’t develop at home) that was color.  I got home with it and didn’t even scan it as color, I went straight to black and white…and the images were great!  I’m amazed at how much just doesn’t work as well in color and once it’s made black and white, it becomes “art.”

"Alfa I" shot with Olympus XA

So, from now on, I am only going to be using black and white film (unless I get a crazy good deal somewhere) and process myself.  That way, there’s no question…it’s black and white and that’s it.  Also, the film itself is predominantly less expensive and home developing also is much more reasonable in the long run.  I am the “starving artist,” after all 😉


Getting images from Clarksdale, Mississippi up!

Finally getting around to scanning and uploading film images I shot in Clarksdale, Mississippi. Had a good bit of film that I shot with my Pentax ZX-5 and Canon Canonet QL17 GIII. We had a photo walk with our friends while we were there and found the cemetery and many urban decay spots. It’s an amazing town, but has a kind of “ghost town” feel to it with many empty buildings. There is an place right downtown where our friend Stan Street has his Hambone Gallery that is a nice little area. Would love to see this section of town come round and be a home to local musicians and artists alike.

I have uploaded many of these new images to my website here:
http://www.analogsoulphoto.com

Some of my favorites:

Truck & Shack

Sun, Window, Shade

Shack Porch


Clarksdale, Mississippi anti-film (well, sortof)…

In May we took a great trip through Birmingham, AL, Clarksdale, MS, and Memphis, TN and I took an assortment of film cameras with me. I chose my new favorite, Canon Canonet QL17 GIII,
QL17 GIII
the “old lady” original Diana,
Diana
and old favorite Olympus XA.
Olympus XA
The odd thing was that when we got to Clarksdale, I pulled out each camera and every one had an “issue.”

Don’t know if there were anti-film spirits in the “shack” we were staying in or what. I first grabbed the Diana and the shutter button seemed to be sticking once triggered…I shot two frames before I realized this. It’s tough with 120 film in square format too because you only get 12 exposures, so each one is precious. I kept trying the shutter button on the second frame (luckily, the Diana “allows” for multiple exposures and at this point I knew I blew the first two anyway) and couldn’t get her to cooperate. So then, I’m a bit bummed cause I really thought that the place we were staying (Shack Up Inn in Clarksdale) would lend itself to Diana’s style…oh well. I placed that camera back into the bag.

The second one I pulled out was the XA…after the Diana problem, I decided I should check it before putting film in it. I opened it up and looked through the viewfinder to check that the meter was reading properly. I got nothing, nada…super bummed now. It seemed that the battery was dead in this one. Back in the bag.

So, the third and final film camera I brought was the Canonet…I had just used it (as I have continuously since I got it), so felt assured all was well. I loaded what I didn’t realize was a roll of 12 exp color film. Usually I use 24 or 36 exposure, but sometimes I purchase lots of expired film, so must have gotten the 12 exp in one of those lots. Once I loaded it, it didn’t seem to be resetting when I shot an image. The winder would not budge after each exposure. I had never had an issue with the winder on this camera, so was quite baffled. I figured it was the mechanism that resets the winder each time the shutter fires, so thought I could bypass it by hitting the rewind button to release it each time I took a shot. I did this for many frames on this roll, then wondered if the film was actually being transported when I was able to wind. Luckily, the Canonet has nice features like an indicator for film in the camera and also for film transport. I checked it as I wound the next time and it looked fine. I don’t know how many frames I ran off this way, but the method I was using would not really indicate when I was at the end of the roll…so I think I may have ended up with about 12 exp on the last frame 8-\ because when I decided to rewind and try another roll, I found that the roll was only a 12 exp. Oops! I did load another roll into the Canonet and the winder worked flawlessly, so I don’t quite know what happened there. Think I did get some good shots with it through our trip.

I have checked all the cameras and the Canonet hasn’t done the same thing again, the Diana is still being quirky, but I’m not sure how to work on a plastic camera :-\ (edit: with some tips from the web, I have lubed the shutter on the Diana and it seems to be working fine now), and when I checked the XA here at home the battery was fine…very strange indeed!


Rangefinder Mania

I seem to be the obsessive compulsive type. I got hooked on rangefinder 35mm cameras back in the 80s using an Olympus XA and in the 90s when I borrowed my Dad’s Olympus 35 (DC?) in New Orleans, LA. Since my foray back into all things film, I have amassed quite the camera collection (in addition to what I already had). Rangefinders seem to be my weakness.


Argus C-3 aka “The Brick” 35mm rangefinder camera

Kodak 35 RF
Kodak 35 RF 35mm rangefinder camera

Minoltina AL-s
Minolta Minoltina AL-s 35mm rangefinder camera

It all started with a lot of three cameras on eBay. There was the obligatory “Brick” (Argus C-3), a freak of nature called the Kodak 35 RF (rather than redesigning a new model, they just put all the rangefinder gears and gizmos on the OUTSIDE of the body!), and a sweet little Minolta Minoltina AL-s. The Minolta was the one I was after…the other two were “fluff.” She had a fast 40mm f1.8 lens and looked to be very clean. I received the lot and every camera came in it’s “ever ready” case (or “never ready” as they are sometimes known 😉 and was in pristine condition. Yet another testament to purchasing from a seller who knows nothing about cameras and just sells them “as-is.” Think I paid $35 including shipping for the entire lot.

The brick and the 35 rf were kindof painful to use…strange dials to set, uncomfortable to hold and shoot, accidentally hitting the wrong thing instead of the shutter release, etc. But the Minoltina was another story…it just felt at home in my hands, very compact, selenium light meter works very well, and that fast lens sure does soak up some light! I dubbed her “Tina” after falling head over heels for her 😉 Here are some shots from her:

Hush
Hush

He Stole Her Heart...
He stole her heart, amongst other things…

Monochromatic Bromeliad
Monochromatic Bromeliad

Stay tuned for more “Rangefinder Mania!”