My name is Kathy and I have an analog soul

Black and White Photography

Selling my black and white fine art photography

I’ve been enjoying my time shooting black and white film photography and love that there are so many options for putting up a website and selling prints. I have most of my images for sale on my website <a href=”Analog Soul Photography”: in many formats including everything from greeting cards to matted and framed prints.

I am setting up my galleries with the material I have and organizing in a way that I feel would be pleasing to the browser’s eye and easy to find what they are looking for. I’ve especially enjoyed doing some shooting recently at our beautiful South Florida beaches and have added a few shots from these locations. I like to show how much I appreciate the place where I live and want to convey the beauty to others.

The world could use some more high quality black and white fine art photography, and this is just my small contribution 😉 I’m hoping to be able to spend more of my time dedicated to this venture as it has been my lifelong passion to do so.


I found this little puppy and just had to bring him home!

I am a constant “thrifter” hitting up local thrift stores, antique stores, and the like for neat old vintage cameras. I have found a near mint condition Polaroid SX-70, a Franka Solida, Jr. w/ Voigtlander shutter (I call it “FrankenKamera”), and a cheesy Time Magazine camera, amongst others.

I have decided to make a local Veteran’s thrift store my favorite for donations (my father and all of my brothers are vets) and went to drop off some stuff one day. Guess it was good karma or something cause when I looked in the display case, there was a Minolta Hi-Matic 7sII staring back at me! I asked the gentleman how much and he said $2!!! I was stunned…this camera goes for over $150 or so when in good working order and I had my eye on them for a long time, but the prices were way out of my range.

I asked to see it and the shutter seemed good and it wound normally. It had a dent on a bottom corner, but not enough to interfere with the film door. When I opened it, the pressure plate was loose inside, but I had recently done a repair on my QL17, so knew it wasn’t a big deal to get back into place. I purchased the camera and saw a donation jar on the counter, so I put a few bucks into that since I got an amazing deal.

I decided to put this camera against my Canon Canonet QL17 in a “shootout,” as they are very similar cameras and routinely compared to one another. They are certainly very similar in many ways.

I have the two compared in my set of photos on flickr here:

“Shootout! Canon Canonet QL17 vs. Minolta Hi-Matic 7sII”:http://www.flickr.com/photos/framerkat/sets/72157623805455642/


Some information…

Since I have multiple Analog Soul Photography sites, I will list them all here:

My Standard website:
www.analogsoulphoto.com

My Facebook page:
www.facebook.com/pages/Analog-Soul-Photography

My flickr page:
www.flickr.com/photos/framerkat

Feel free to check them out and “Like” my facebook page!


Getting images from Clarksdale, Mississippi up!

Finally getting around to scanning and uploading film images I shot in Clarksdale, Mississippi. Had a good bit of film that I shot with my Pentax ZX-5 and Canon Canonet QL17 GIII. We had a photo walk with our friends while we were there and found the cemetery and many urban decay spots. It’s an amazing town, but has a kind of “ghost town” feel to it with many empty buildings. There is an place right downtown where our friend Stan Street has his Hambone Gallery that is a nice little area. Would love to see this section of town come round and be a home to local musicians and artists alike.

I have uploaded many of these new images to my website here:
http://www.analogsoulphoto.com

Some of my favorites:

Truck & Shack

Sun, Window, Shade

Shack Porch


Clarksdale, Mississippi anti-film (well, sortof)…

In May we took a great trip through Birmingham, AL, Clarksdale, MS, and Memphis, TN and I took an assortment of film cameras with me. I chose my new favorite, Canon Canonet QL17 GIII,
QL17 GIII
the “old lady” original Diana,
Diana
and old favorite Olympus XA.
Olympus XA
The odd thing was that when we got to Clarksdale, I pulled out each camera and every one had an “issue.”

Don’t know if there were anti-film spirits in the “shack” we were staying in or what. I first grabbed the Diana and the shutter button seemed to be sticking once triggered…I shot two frames before I realized this. It’s tough with 120 film in square format too because you only get 12 exposures, so each one is precious. I kept trying the shutter button on the second frame (luckily, the Diana “allows” for multiple exposures and at this point I knew I blew the first two anyway) and couldn’t get her to cooperate. So then, I’m a bit bummed cause I really thought that the place we were staying (Shack Up Inn in Clarksdale) would lend itself to Diana’s style…oh well. I placed that camera back into the bag.

The second one I pulled out was the XA…after the Diana problem, I decided I should check it before putting film in it. I opened it up and looked through the viewfinder to check that the meter was reading properly. I got nothing, nada…super bummed now. It seemed that the battery was dead in this one. Back in the bag.

So, the third and final film camera I brought was the Canonet…I had just used it (as I have continuously since I got it), so felt assured all was well. I loaded what I didn’t realize was a roll of 12 exp color film. Usually I use 24 or 36 exposure, but sometimes I purchase lots of expired film, so must have gotten the 12 exp in one of those lots. Once I loaded it, it didn’t seem to be resetting when I shot an image. The winder would not budge after each exposure. I had never had an issue with the winder on this camera, so was quite baffled. I figured it was the mechanism that resets the winder each time the shutter fires, so thought I could bypass it by hitting the rewind button to release it each time I took a shot. I did this for many frames on this roll, then wondered if the film was actually being transported when I was able to wind. Luckily, the Canonet has nice features like an indicator for film in the camera and also for film transport. I checked it as I wound the next time and it looked fine. I don’t know how many frames I ran off this way, but the method I was using would not really indicate when I was at the end of the roll…so I think I may have ended up with about 12 exp on the last frame 8-\ because when I decided to rewind and try another roll, I found that the roll was only a 12 exp. Oops! I did load another roll into the Canonet and the winder worked flawlessly, so I don’t quite know what happened there. Think I did get some good shots with it through our trip.

I have checked all the cameras and the Canonet hasn’t done the same thing again, the Diana is still being quirky, but I’m not sure how to work on a plastic camera :-\ (edit: with some tips from the web, I have lubed the shutter on the Diana and it seems to be working fine now), and when I checked the XA here at home the battery was fine…very strange indeed!


Yet another rangefinder joins my little analog family ;-)

After the Hi-Matic 7s and Minoltina AL-s, I was certainly hooked on Minolta rangefinders, but wanted my next Minolta to be the 7sII…but it was out of my price range. I set my sights on another vintage beauty, the Canon Canonet QL17 GIII (a long name for a legendary camera).

I have certain tactics I use on eBay in order to get the best deal I can. The QL17s I had been watching there were going for about $50 and up and even more for CLA (Cleaned, Lubed, and Adjusted) models. This time, my tactic was to get on eBay during the Super Bowl (best times I’ve found are Super Bowl and World Series), as most people in the US are watching TV instead of prowling eBay. I found a QL17 that was ending during the game that was described as “not in very good shape” and “not sure about functioning.” It looked dirty in the pics, but I could see no damage, so figured it was worth the risk and won it for about $35 with shipping.

I received the box a few days later and pulled out this dirty little camera:
Dirty 'ole Canonet QL17

I dubbed it “The Ugly Duckling” because it was so grungy. I began cleaning it up and realized all the more what great shape it was in. I even managed to get the residue from masking tape off the top 😉 I popped a battery in it and it came to life…here is “The Swan!”
The Swan!

I thoroughly enjoy using this camera…it has very intuitive controls (which is my pet peeve…I’ve had some that make no sense to use!), shutter priority auto mode, and fully manual mode. One quirky thing is that the meter only works in the “A” mode, not in manual. It’s handy when using this mode since you can change the shutter speed to get the desired aperture. For manual, I meter in A, then decide how I want to change shutter speed and aperture accordingly. Once nice thing about the meter being off in manual is that it’s essentially “off” then…thus if one doesn’t have a lens cap or it falls of, you won’t drain your battery.

Here are a couple of shots I’ve taken with this little beauty:

Glenwood electric guitar

Steel guitars

These were shot handheld in “A” mode on Kodak T-Max 400 developed in Rodinal 1:50.

More shots of/taken with this camera here:  Canonet QL17 GIII set on flickr


My Rangefinder Mania Continues!

My foray back into film camera collecting began with the plastic Diana F+, but I got off onto a tangent with vintage rangefinders shortly thereafter. First, with the Argus C-3, Kodak 35 RF, and Minolta Minoltina AL-s. Once I started using that sweet little “Tina”…I was hooked once again.


The Minolta family grows…”Tina” is joined by the big & beautiful Hi-Matic 7s

My web searches on other desireable rangefinder models came up with the Minolta Hi-Matic line. The 7sII looked very appealing, but the prices were out of my range (I normally don’t spend more than $30-$40 on my new acquisitions), so I set my sights on the previous model, the 7s. It had appealing features with fully automatic, aperture priority, and fully manual modes. It’s amazing with a camera of this age to just have to point at your subject, focus, and shoot. I used it at an air show one day and had it on the “Auto” setting the entire time…here are some results from it:


“Patriot Wing” shot with Minolta Hi-Matic 7s 35mm rangefinder w/ Kodak bw400cn film


“C-130 Hercules” shot with Minolta Hi-Matic 7s 35mm rangefinder w/ Kodak bw400cn film


“View through the Galaxy” shot with Minolta Hi-Matic 7s 35mm rangefinder w/ Kodak bw400cn film

So, it was official, I am an addict. I began researching which one to purchase next 😉 See my full set of images of/taken with this camera here:  Minolta Hi-Matic 7s set on flickr


Rangefinder Mania

I seem to be the obsessive compulsive type. I got hooked on rangefinder 35mm cameras back in the 80s using an Olympus XA and in the 90s when I borrowed my Dad’s Olympus 35 (DC?) in New Orleans, LA. Since my foray back into all things film, I have amassed quite the camera collection (in addition to what I already had). Rangefinders seem to be my weakness.


Argus C-3 aka “The Brick” 35mm rangefinder camera

Kodak 35 RF
Kodak 35 RF 35mm rangefinder camera

Minoltina AL-s
Minolta Minoltina AL-s 35mm rangefinder camera

It all started with a lot of three cameras on eBay. There was the obligatory “Brick” (Argus C-3), a freak of nature called the Kodak 35 RF (rather than redesigning a new model, they just put all the rangefinder gears and gizmos on the OUTSIDE of the body!), and a sweet little Minolta Minoltina AL-s. The Minolta was the one I was after…the other two were “fluff.” She had a fast 40mm f1.8 lens and looked to be very clean. I received the lot and every camera came in it’s “ever ready” case (or “never ready” as they are sometimes known 😉 and was in pristine condition. Yet another testament to purchasing from a seller who knows nothing about cameras and just sells them “as-is.” Think I paid $35 including shipping for the entire lot.

The brick and the 35 rf were kindof painful to use…strange dials to set, uncomfortable to hold and shoot, accidentally hitting the wrong thing instead of the shutter release, etc. But the Minoltina was another story…it just felt at home in my hands, very compact, selenium light meter works very well, and that fast lens sure does soak up some light! I dubbed her “Tina” after falling head over heels for her 😉 Here are some shots from her:

Hush
Hush

He Stole Her Heart...
He stole her heart, amongst other things…

Monochromatic Bromeliad
Monochromatic Bromeliad

Stay tuned for more “Rangefinder Mania!”


My name is Kathy and I have an analog soul

Diana F+ & Angels at the Arno by Eric Lindbloom

I have been led back into the analog (film) photography world by a bit of plastic known as the Diana camera. It happened a year ago when I saw one of these gems at an Urban Outfitters store and was reminded of my very first camera in the early 70s, which was an original Diana. I didn’t purchase the one I saw there, but began thinking about it constantly…I had purchased a book in the 90’s called “Angels at the Arno” by Eric Lindbloom which contained images shot with a vintage Diana camera like the one I had as a child. I dug the book out and was once again in love with the dreamy ethereal imagery created by the photographer with this camera. I had to have one! My husband was nice enough to find a store near us called Bear & Bird at Tate’s Comics in Lauderhill, FL (as we have no Urban Outfitters near by) and we went the next day. I picked up a shiny new Diana F+ and began shooting my expired 120 film which had been residing in my fridge for about 10 years.

Diana's Angel
“Diana’s Angel” by AnalogSoulPhoto aka Kathy Hunt

My childhood love and my passion for analog photography had been renewed! It has been a slippery slope since then…I’ve been shooting primarily film images and have been developing black and white film in my home darkroom. I have also amassed quite a collection of plastic toy and vintage cameras. Next step…printing in the darkroom!