I had started this project about a year ago and never really completed it as I would have liked. I finally decided to quit sitting on the idea and pursue it. The concept is to have an image of an old camera printed on the front of a t-shirt with it appearing to be a real camera worn by the person. The camera straps could actually be extended up to look as though it is hanging on the front of them.
I started by shooting my beloved Pentax MX slr, Yashica Electro 35 GSN rangefinder, and Canon Canonet QL17 GIII rangefinder. I got them posted on my website that night. I decided the next day to do some more, so I shot my vintage Diana plastic camera, Kodak Brownie Chiquita, and WWII era Rolleiflex twin lens reflex (tlr).
I’ve got them on my website through RedBubble and I think they came out great. Had to tweak the sizes a bit to give them a realistic look. Thinking of ordering the Pentax one for myself because it’s my favorite camera and it’ll be cool to wear it even when I’m not
I was lucky enough to be loaned a great vintage Harmony guitar by friend and musician Bobby DeVito recently. I had mentioned to him that I wanted to “borrow” great guitars from some of our musician friends to do some film based art photography on them. He was happy to oblige.
The guitar is an acoustic with an arch top and beautiful f-holes. It belonged to his grandfather “Slim” Henderson who was a country artist in the 1940s. Apparently he played for the Grand Ole Opry and once cursed in a song on live radio and therefore blackballed in the industry. I guess things were different back then, especially in the country music genre
I set up the studio (aka: second bedroom) with a black backdrop and frame given to us by a friend. I also set up two studio lights, loaded up the Pentax MX and shot away.
I was happy with what I got…some detail shots and some full body shots. I am just amazed at the artistic elegance of musical instruments like this…and shooting the details makes me see so much more!
I had mentioned this wonderful city in a previous post here. Well, once again, in my “better late than never” fashion, I have found yet more images that I have deemed worthy of publication on my website. I had uploaded them to my facebook page album here and am getting them posted on my website now.
Several of these images are quintessential New Orleans to me.
This was shot on one of the days we were walking around the French Quarter. I thought being a balcony with beads on it made it a perfect New Orleans vignette.
We stayed out in the Garden District so we walked around there a good bit also. This is one of many incredible doorways we saw in the area.
Of course we had to try a Muffaletta from the Central Grocery in the French Market section of the Quarter, so we had a nice walk in that area. I thought this had a nice juxtaposition of the American flag and the Natchez life saver.
It just serves as a reminder that I need to get back there…I truly do miss this wonderful city.
Just an FYI about some events coming up where I will be showing my work.
Saturday, April 30, 2011, 10am-7pm Life is Art Fest in Boca Raton, Florida
Friday, May 6, 2011, 6-9pm East Village Uncorked in Pompano Beach, Florida
Come on by, see my work in person and say “Hi!” All the work I sell at events is hand signed by me on the spot and I can even personalize gifts with the name of whomever you are giving it to
Tried an online service for making some different slideshows, but found it rather cumbersome and didn’t quite get the results I was looking for. I had read about Windows Movie Maker and thought I’d give it a try. It was very easy and intuitive to use and this is what I came up with.
These Japanese Inspiration images are available on my website here: Analog Soul Photography
A couple of weeks ago, we decided to go on an adventure in Miami to the Gold Coast Train Museum. Little did we know what an adventure it would be…as my GPS in my Android phone took us all the way west …though I told the hubby it looked suspicious, he wanted to follow it. We just got to go through horrendous Miami traffic from west to east and finally found the correct location which was right by Miami MetroZoo (where he initially thought it was).
One of our reasons for visiting on this day was that it was free admission (as it is the first Saturday of every month) and there was a caravan of gourmet food trucks to be there. The hubby’s a foodie, so he really wanted to try the food trucks…and we really needed some inspiration for our photography which we knew the trains, our friends Robert, Michelle, and Bobby, and my step daughter Melissa and her daughter Aliza would give.
I took my post WWII Argus A2b and trusty Pentax MX with me. I needed to get the Argus out “just because” and I knew my MX wouldn’t let me down (since I’m still not well versed in the use of the A2b) so I’d get at least some decent shots.
We were starving after our driving adventure, so we headed straight for the food trucks. Luckily, they didn’t let us down. We scarfed a couple of fish tacos immediately, then the hubby and I went to separate trucks for the rest of our meal. I had a wonderful Mediterranean chicken wrap from a truck that only does wraps…super yummy!
Once we finished lunch, I realized there were a couple of old fire trucks and a Case steam powered farm tractor just outside the train building. I thought they would make excellent photographic subjects, so I proceeded to shoot away. Got some shots I really like of the tractor and especially the details of one truck (an American LaFrance). I just love rusty old historical vehicles like this. They have so much more meaning when they were used for saving lives or for producing food. As always, I thought about this history and wondered about the tales they would tell if they could.
We gathered up our crew and headed inside the train building. It was amazing, they had many different eras of passenger cars, engines, and cabooses. I loved the passenger cars most…imagining the lives of the people that rode in them. The most luxurious of these was the Ferdinand Magellan Railcar made by the Pullman Company. This railcar was used for the three presidents prior to Kennedy (Franklin Roosevelt, Harry Truman, and Dwight D. Eisenhower) to transport and do “whistlestop” campaigning. It was replaced with Air Force One for President Kennedy. The appointments in this car were amazing…it had an early version of air conditioning, two “suites” with adjoining washrooms…one of which even had what they called a “bath tub,” but it was more of a basin for the shower.
It was a great day checking out all the cool rail cars and I think we’ll go back soon. We had a good time, but with everyone in our group it was hard to shoot as much as I wanted to. I like to document the details and it takes me a while to do so…so the hubby and I will have to make a trip on our own to spend more time shooting. We highly recommend it and if you’re going to the Miami Metro Zoo any time soon, definitely add it to your agenda!
Still recovering from a long and fun weekend of food, fun, and great music at the Riverwalk Blues and Music Festival in Fort Lauderdale this past weekend. Our friend Vena Paylo (wonderful music portrait artist) asked me to share a booth with her to sell our wares and I thought it would be great fun and we might just make some money at the same time!
I had matted up many of my images that I thought would sell to a blues and other types of musical interests crowd. I selected some of my New Orleans ones that I had just added to the website, along with many musical instrument “portraits” I have taken over the years. I had two images relating to Joel DaSilva of the Hep Cat Boo Daddies (great hard rocking rockabilly style music) pedal board with voodoo doll and set list and one of his well-loved Fender Stratocaster guitar with a retro pinup style woman on it. I also had another favorite local musician represented; Graham Wood Drout of Iko Iko’s (great “swampadelic” style) white Fender Stratocaster along with his amp that has his design of the Iko Iko logo snake. I also had a handful of images of resonator guitars which are one of my favorites…they are just art in themselves! I also love the way they sound ;-) Lastly, I thought some of my images from Clarksdale, Mississippi last year when we went to the Blues Music Awards in May would be appropriate. I had one from Morgan Freeman’s club “Ground Zero” and a shot of “Red’s” famous juke joint.
It was a great festival and I sold WAY more work than I ever thought I would…including every music-related piece I brought. I don’t think I missed any sales by not having selection though, which is good considering I wasn’t as prepared as I would have liked to have been. Now I know more what to expect and think I’d love to do more blues related music festivals…they’re fun, the music is wonderful, and the crowd is generous and courteous…oh, and they have great taste in photography, of course
I was just going through my gallery on my website and realized how many images I have from cemeteries. I don’t know what exactly draws me to them…a sense of history, a mystery of a life I never knew, or simply showing respect to those that have left this world. I have been intrigued since I was very young and my brothers and I would sneak into graveyards to peek at the headstones.
Since my foray back into film photography, I have shot Key West Cemetery and Evergreen Cemetery in Fort Lauderdale fairly extensively. I think my favorite subjects would have to be the angels…beautiful heavenly beings watching over the souls that have passed on. Key West has some gorgeous hand carved marble angels that I adore. There’s even one there that had an eerie light flare no matter what camera or angle I took it from.
My favorite cameras for shooting in these environs have been my modern Diana F+ and vintage Diana, Ansco Pix plastic 35mm, and Minolta Minoltina AL-s 1960s rangefinder.
It all started on Thursday night when a friend mentioned that a restaurant owner might be interested in some of my images for decor in his business. I knew I had a handful of good shots I got with my trusty Pentax ZX-5 in 2005 when we went for a friend’s 50th birthday celebration. I also have some from 1990 when I was there with my parents and was using Dad’s Olympus 35DC rangefinder, but that’s a different story for a different day.
I went to my flickr account where I have the majority of what I consider my “quality” work uploaded first. I was surprised to find that I had not uploaded many shots I had remembered from that trip and had to dig back into the backup drive to find them. I located the file and began the process of deciding which images were worthy of uploading to flickr. It certainly is a bittersweet task, as we had visited a short 4 months before the devastation of Hurricane Katrina hit this beautiful gem of a city.
The images I see are those of city rich with history, music, and culture. They are a reminder that this tragedy will not take away the spirit of New Orleans as it is far bigger than a hurricane. That spirit touches all who visit the city and is carried with them to far away locales the world around. My only hope is to be able to visit soon and once again get my fill of the intoxicating brew that is New Orleans.
Back in November for the hubby’s birthday, I decided to take him to the historic Bonnet House here on Fort Lauderdale Beach. They just happened to be having an orchid show, so I though it would be a great photo expedition for both of us. We’ve both needed a bit of inspiration so it was just what we needed.
I decided to bring my trusty old Pentax MX. I had one in high school and college, but it ended up with a faulty meter, so I sent it to my Dad to repair and never got it back. This camera is one I purchased in an online auction for a very reasonable price and it came to me with a dented prism. I got some money back due to the fact that it made the hot shoe malfunction. I then proceeded to repair the hot shoe based in instructions I found on the internet and now have a fully functioning gem of a camera (albeit a tad battered looking ;-).
When we went in, there were crazy Spider Monkeys jumping through the canopy of trees overhead. I was shooting with my 50mm lens, so I couldn’t get any good shots though. The orchid show was beautiful and we were able to get some wonderful afternoon light on them.
The house itself was just beautiful too. It was owned by an artistic and quirky family and it shows. There is everything from classically beautiful art and sculptural pieces to very primitive tropical style paintings. We weren’t allowed to photograph inside the house, but I got some decent images of outside and in the courtyard areas.
I have recently realized that along with being a rangefinder maniac, I am Pentaxian. I came to this realization after acquiring a nice little Pentax MX to replace the one I had sent up to my Dad to be repaired about a decade ago. I had asked him about it recently and he seems to think it’s “his” MX, which it technically is, but it was mine for a very long time from high school through college and after.
The MX was my first Pentax and I used it for many high school yearbook projects. I continued to study photography into college and used it for my classes there also. It was my constant companion. Dad had an LX and I enjoyed using it too, but I still really enjoyed the MX more. I was lured into electronic wizardry in the late 90′s and picked up a ZX-5 (MZ-5) in my early online auction days. I loved throwing the old glass from my MX on this camera and also enjoyed the newfangled autofocus lenses I bought for use with it. By the early 2000′s I was lured by the digital age and began using various cruddy point and shoots. Dad was getting out of film photography, so he loaded me up with his old gear, which was pretty cool. He gave me an SF1n, a PZ-1p, and a load of cool old lenses. I finally picked up a digital slr around 2005…after much debate…and it was…wait for it…PENTAX!!! It was a k100d and using all the old glass and lenses from the ZX-5 was a God send. Oh, and let’s not forget about the flashes. Now the hubby has a k10d and we’re just one big happy Pentaxian family!
I decided recently I needed another MX…ten years was far too long to go without. I bid and won a nice one on the ‘bay. Well, I received it and it looked pretty good even with the mentioned dents in the prism. It was much better looking than my old beater was anyway I put it through its paces and found everything to be in reasonable working order…at least as far as I could tell without running film through it. I loaded a roll of film and found that the flash would not fire. After some investigation on flickr and the web, I found out how to take apart the hot shoe without taking the entire camera apart. There was one small part out of alignment, so I lined it up, reassembled it, and voila…flash!
My “new” MX:
Finally getting around to scanning and uploading film images I shot in Clarksdale, Mississippi. Had a good bit of film that I shot with my Pentax ZX-5 and Canon Canonet QL17 GIII. We had a photo walk with our friends while we were there and found the cemetery and many urban decay spots. It’s an amazing town, but has a kind of “ghost town” feel to it with many empty buildings. There is an place right downtown where our friend Stan Street has his Hambone Gallery that is a nice little area. Would love to see this section of town come round and be a home to local musicians and artists alike.
I have uploaded many of these new images to my website here:
Some of my favorites:
In May we took a great trip through Birmingham, AL, Clarksdale, MS, and Memphis, TN and I took an assortment of film cameras with me. I chose my new favorite, Canon Canonet QL17 GIII,
the “old lady” original Diana,
and old favorite Olympus XA.
The odd thing was that when we got to Clarksdale, I pulled out each camera and every one had an “issue.”
Don’t know if there were anti-film spirits in the “shack” we were staying in or what. I first grabbed the Diana and the shutter button seemed to be sticking once triggered…I shot two frames before I realized this. It’s tough with 120 film in square format too because you only get 12 exposures, so each one is precious. I kept trying the shutter button on the second frame (luckily, the Diana “allows” for multiple exposures and at this point I knew I blew the first two anyway) and couldn’t get her to cooperate. So then, I’m a bit bummed cause I really thought that the place we were staying (Shack Up Inn in Clarksdale) would lend itself to Diana’s style…oh well. I placed that camera back into the bag.
The second one I pulled out was the XA…after the Diana problem, I decided I should check it before putting film in it. I opened it up and looked through the viewfinder to check that the meter was reading properly. I got nothing, nada…super bummed now. It seemed that the battery was dead in this one. Back in the bag.
So, the third and final film camera I brought was the Canonet…I had just used it (as I have continuously since I got it), so felt assured all was well. I loaded what I didn’t realize was a roll of 12 exp color film. Usually I use 24 or 36 exposure, but sometimes I purchase lots of expired film, so must have gotten the 12 exp in one of those lots. Once I loaded it, it didn’t seem to be resetting when I shot an image. The winder would not budge after each exposure. I had never had an issue with the winder on this camera, so was quite baffled. I figured it was the mechanism that resets the winder each time the shutter fires, so thought I could bypass it by hitting the rewind button to release it each time I took a shot. I did this for many frames on this roll, then wondered if the film was actually being transported when I was able to wind. Luckily, the Canonet has nice features like an indicator for film in the camera and also for film transport. I checked it as I wound the next time and it looked fine. I don’t know how many frames I ran off this way, but the method I was using would not really indicate when I was at the end of the roll…so I think I may have ended up with about 12 exp on the last frame 8-\ because when I decided to rewind and try another roll, I found that the roll was only a 12 exp. Oops! I did load another roll into the Canonet and the winder worked flawlessly, so I don’t quite know what happened there. Think I did get some good shots with it through our trip.
I have checked all the cameras and the Canonet hasn’t done the same thing again, the Diana is still being quirky, but I’m not sure how to work on a plastic camera :-\ (edit: with some tips from the web, I have lubed the shutter on the Diana and it seems to be working fine now), and when I checked the XA here at home the battery was fine…very strange indeed!